It will have you gripped to your seats and curling your toes in fear... a thrilling ride - I was hooked from the first curtain up until the end. This production is a must.
BBC Radio
The magic of this production will keep you puzzled right to the end.
Bristol Evening Post
Wonderful and macabre.
Yorkshire Post
Harmston’s excellent production creates a terrifying claustrophobia.
South Wales Echo
Joe Harmston certainly delivers the goods and gets the best from his impressive cast... An accomplished - not to say ‘wizard’ - production of a firm favourite.
What’s on Stage
The body-count builds, as does the tension... If atmospheric suspenseful productions such as these get the audience they deserve, they could well use the title at the ticket office as an announcement of maximum ticket sales, ‘And then there were none’.
Theatreworld Internet Magazine
Director Joe Harmston still has the knack of giving Christie mysteries a slightly darker and more stylish twist than usual. A very enjoyable evening’s entertainment
The Scotsman
Eyebrow raising revisionism.
Glasgow Herald
A superb interpretation... a masterpiece of arresting tension which thrills and enthrals as murder unfolds.
Maidenhead Advertiser
Is worth a trip out on a wet and wintry night.
Western Mail
A polished production.
Blackpool Gazette
The Agatha Christie Theatre Company is fast acquiring a reputation for excellence. ATTWN will entertain and involve you.
Surrey Advertiser
Harmston succeeds in making... a case for Christie as a somewhat deeper writer than she is often given credit for.
Birmingham Post
Unmissable for armchair sleuths.
Malvern Gazette
Gloriously gripping.
Bromsgrove Advertiser
THIS PRODUCTION IS PURE PLEASURE FROM FIRST TO LAST. Joe Harmston’s excellent production treats the great Dame Agatha with every bit of respect she deserves. The skill of Harmston’s intelligent production is that it makes a virtue of (the play’s) old-fashionedness, its plumy exclamations of “Wizard!”, its creakiness, to make a disparate group of individuals come alive – so faithfully and authentically done.
The Chichester Observer
| 7th January - 19th January 2008 | Theatre Royal, Windsor |
| 21st January - 26th January 2008 | New Victoria Theatre, Woking |
| 28th January - 2nd February 2008 | Milton Keynes Theatre |
| 4th February - 9th February 2008 | New Theatre, Cardiff |
| 11th February - 16th February 2008 | Grand Theatre, Wolverhampton |
| 18th February - 23rd February 2008 | Richmond Theatre, London |
| 25th February - 1st March 2008 | Grand Theatre, Blackpool |
| 3rd March - 8th March 2008 | Theatre Royal, Lincoln |
| 10th March - 15th March 2008 | Theatre Royal, Bath |
| 17th March - 22nd March 2008 | Cambridge Arts Theatre |
| 24th March - 29th March 2008 | The Palace Theatre, Southend |
| 31st March - 5th April 2008 | Queen's Theatre, Barnstaple |
| 7th April - 12th April 2008 | His Majesty's Theatre, Aberdeen |
| 14th April - 19th April 2008 | Devonshire Park Theatre, Eastbourne |
| 28th April - 3rd May 2008 | Theatre Royal, Nottingham |
| 5th May - 10th May 2008 | Everyman Theatre, Cheltenham |
| 12th May - 17th May 2008 | Churchill Theatre, Bromley |
| 19th May - 24th May 2008 | Pavillion Theatre, Rhyll |
| 16th June - 21st June 2008 | Festival Theatre, Malvern |
| 23rd June - 28th June 2008 | Theatre Royal, Glasgow |
| 7th July - 12th July 2008 | Grand Theatre, Leeds |
A magnificent Art Deco set, all polished carved wood panelling with French doors set into a huge circular upstage window is the sumptuous setting for this fine production by The Agatha Christie Theatre Company. Director Joe Harmston has assembled an excellent and experienced cast that does full justice to Christie’s Whodunnit, keeping audiences on a knife-edge until the final moments.
Remaining true to Christie’s original idea and using her own adaptation of her book, designer Simon Scullion’s set becomes becomes a claustrophobic prison of their own creation for the disparate group of house guests who arrive on Soldier Island. A disembodied voice encourages them to make personal confessions but ultimately self-preservation makes these seemingly normal people behave like animals, while the 10 figurines set on the mantle shelf above the fireplace mysteriously, and alermingly, continue to diminsih in number.
Set in August 1939, this meticulous production precisely captures the social and political mores of a country on the brink of war. Every character is convincingly a product of its time and no mere stereotype. Lighting and music add to the growing unease as tension increases. As an immensely wary and much-reduced group of guests huddles by candlelight during a stormy night, there are further shocks.
In a strong and convincing cast Gerald Harper’s measured Judge and Jennifer Wilson’s sanctimonious spinster are finely played, whilst Alex Ferns gives a carefully-judged performance as the restless and unpredictable former soldier. The third production from the official Agatha Christie Theatre Company is from first to last an exciting cliff-hanger and the Torquay-born writer’s stories are in safe hands in this their finest production to date.
18 September 2008
Bill Kenwright Ltd | Producer
Gerald Harper | Sir Lawrence Wargrave
Chloe Newsome | Vera Claythorne
Alex Ferns | Captain Philip Lombard
Peter Byrne | General John MacKenzie
Dennis Lill | William Blore
Jennifer Wilson | Emily Brent
Mark Wynter | Dr Edward Armstrong
Gary Richards | Rogers
Doris Zajer | Mrs Rogers
Michael Gabe | Narracot
Bob Saul | Anthony Marston
Joe Harmston | Director
Simon Scullion | Production Design
Mark Howett | Lighting Design
Ian Horrocks-Taylor | Sound Design
Biddy Guy | Costume Design